Cabildo Quarterly #12, summer 2018 is available now! With new writing from Kaylee Duff, Timothy Berrigan, Kelli Stevens Kane, William Repass, Kurt Morris, Paula Coomer, Daryl Gussin, Margaret Emma Brandl and Howie Good. Click here or get at us for hard copies.
Filtering by Tag: fiction
Fall 2017 readings w/ Mike Faloon and Jeff Schroeck:
Cabildo Quarterly #8, summer 2015. Featuring new poetry and fiction by Ben Stein, Jes Skolnik, Erica Vega, Richard Katrovas and Ellen Sander.
Hard copies available in/around greater Belchertown MA/Pittsburgh PA.
Additional copies are a buck per – hit us via the gmail, cabildoquarterly.
Here’s the first review for my new novel “Swing State.” Whoah! thanks to Library Journal.
Just in time for tomorrow’s reading is Cabildo Quarterly issue #6, early spring 2014. With new poetry by Bruce Pratt, David Lawton, Karen Lye-Neilsen, Kathleen Ellis and Leonore Hildebrandt, and new fiction by Jeffrey Schroeck.
The fifth print issue of Cabildo Quarterly — featuring new poetry and fiction from Kathleen Ellis, Katie Lattari, Bruce Pratt, Mike DeCapite and Analise Jakimides — is available now for free in and around greater Belchertown MA and Pittsburgh PA.
Katie Lattari and I will be reading at Quimby’s Saturday 11/10. I’ll also be reading in South Bend that weekend – details TBA.
Thanks to Samantha for her questions and time.
It’s better on paper, but here it is on .pdf, if you’re so inclined.
My true story of almost being beat up by skate thugs in Lowell, Massachusetts. Thanks to Wes and everyone at Jumping Blue Gods.
GHOSTS IN THE MACHINE
A Review of Hidden Wheel A novel by Michael T. Fournier
(Trade paperback; Three Rooms Press, 2011.)
By Francis DiMenno
This is an intriguing fiction by the author of the 33 1/3 series monograph on the Minutemen's Double Nickels on the Dime. It is a short novel which is, in essence, a mock biography of two artists. Of course, nearly all fiction is a form of mock biography. But, ultimately, a novel is also a machine for explicating a philosophy. Hidden Wheel might be of particular interest to fans of Philip K. Dick, and/or Don DeLillo (not that the two are mutually exclusive). Devotees of Dick’s dark, dystopic works such as The Man in the High Castle and A Scanner Darkly would be likely to relish the author’s narrative strategy, a series of brief, skillfully arranged, quasi-documentary chapters in which the story of an eclectic arts scene is reassembled from the point of view of a chronicler writing centuries hence. Admirers of DeLillo novels such as Great Jones Street would likely find an affinity in the subject matter of Hidden Wheel, with its wide range of arts world characters, each one concisely sketched.
Protagonists include the dipsomaniacal Max, a half-reformed graffiti artist turned gallery pro, and Rhonda, a semi-reclusive chess prodigy with a sideline as a dominatrix-for-hire who spends her life assembling fewer than a dozen enormous, autobiographical canvases. The side cast includes a tax-dodging old-money gallery owner and “micro visionary” named Ben Wilfork; a scene-making editor of an arts magazine who calls herself Lara Fox-Turner; Bernie, a drummer reduced to taking some very odd jobs in order to buy a new kit; and Amy, a fading bass player still trading on her one-time affiliation with a widely revered (and wildly reviled) novelty act called Dead Trend.
The broad theme of the novel seems to be the evanescence of artistic endeavor in a digital age–and the central narrative revolves around the respective fates of Max, the prolific and obsessively self-promoting minimalist, vs. Rhonda, the prodigy-genius whose lifespan-encompassing works take place on a far greater canvas. Max, the artist who floods the market with lazy, derivative work, considers himself a trendsetter to the very end. Rhonda, the capital-A Artist, is an ideological purist who is imperious and cold. The methodology of the novel partially mirrors its theme: the story is told with an ingenious collage of narrative techniques which in part replicate the subject matter.
Yet for all of its narrative inventiveness, this is also a novel which is grounded in the real world. Particularly interesting is its exposure of all manners of scams: self-promotion in the digital age; the marginally scrupulous business practices of arts promoters; the inside machinations of the media and its star-making machinery; and the venal strategies employed by corporate majordomos to promote dubiously “hip” brand extensions. But this is also a philosophic novel which gives the reader insights into the nature of the creative impulse; as such, it ought to be required reading for that class of artisans who also consider themselves cognoscenti, members of a select tribe known to marketers as “influentials.” This novel would also be of interest to those who want to know more about how such people operate and what really makes them tick. Hidden Wheel is not so much a hipster manifesto as a dissection of hip–we might even be talking about a new genre here, “meta-hip.” Three Rooms Press is an eclectic publishing house which has made a shrewd investment in what may well become an influential and pioneering literary work.
Dates keep coming in:
3/12: Los Angeles CA. Stories Books and Cafe. 7-ish.
3/13: Santa Monica CA. Track 16 Gallery. 7:30 pm.
3/14: San Francisco CA. Sub-Mission Gallery. 7:00 pm.
More to come. If you live in the Bay Area and have the means/interest to host something 3/15-17, get in touch.
Here’s me reading “Behind The Music With Bullshit Wolf.” Originally published in Fluke Fanzine #9.