On Virginie Despentes’ “Pretty Things” for Maximumrocknroll 12/11/18.
On “Physical Graffiti” for The RS 500 11/15/18.
On Jeff Jackson’s “Destroy All Monsters” for Chicago Review of Books 10/17/18.
On Elizabeth Hand's “Fire.” for Maximumrocknroll 9/7/2018.
On Ben Gwin's "Clean Time: The True Story of Ronald Reagan Middleton" for Full Stop 8/7/2018.
If Ichiro Journaled Like Henry Rollins for You Don't Know Mojack 8/6/2018
On Stephen King's "The Outsider" for Chicago Review of Books 6/8/2018
On Run-DMC's "Raising Hell" for The RS 500 5/25/2018
On Damon Krukowski's "The New Analog" for Maximum Rocknroll 5/22/2018
On Mike Faloon's "The Other Night At Quinn's" for Vol. 1 Brooklyn 5/8/2018
On Meg Wolitzer's "The Female Persuasion" for The Collapsar 4/23/2018
Flash fiction story "Your Phone" for Gimmick Press 3/12/2018
On the B-52's debut album for The RS500 2/13/2018
On Barbara Comyns' "The Juniper Tree" for Chicago Review of Books 1/25/2018
On Weird Al's "Polkas on 45" for Memoir Mixtapes 12/6/2017
An interview with Constance Squires for Chicago Review of Books 10/13/2017.
Coastwest Unrest interview for Razorcake 9/28/2017
A review of D. Foy's "Absolutely Golden" for Vol. 1 Brooklyn 9/21/2017.
On The Stooges' "Fun House" for The RS500 9/21/2017.
Short story "The Day He Resigned" for Entropy 8/30/2017.
A review of Ryan Gattis's novel "Safe" for Chicago Review of Books 8/21/2017.
Flash fiction story "Doppleganger" for Maudlin House 8/8/17.
On Pavement's "Crooked Rain, Crooked Rain" for the RS 500, 7/10/2017.
A review of Tristan Donovan's "It's All A Game" for Chicago Review of Books 5/31/2016.
An interview with Sarah Gerard for Chicago Review of Books 4/11/2017.
A review of Ron Currie's "The One-Eyed Man" for Chicago Review of Books 4/5/2017.
A review of Katie Kitamura's "A Separation" for Chicago Review of Books 3/13/2017.
A review of Joe Halstead's "West Virginia" for Chicago Review of Books 1/11/2017.
A remembrance of Keith Schieron ("We Jam Econo") for Razorcake 1/8/2017.
A review of Aaron Gilbreath's "Everything We Don't Know" for Chicago Review of Books 1/4/2017.
On the Who's "Quadrophenia" for the RS 500, 12/29/2016.
A review of Jason DeBoer's "Annihilation Songs" for Electric Literature 12/19/2016.
Interview with postermaker Jay Ryan for Pitchfork 12/8/2016.
A review of Peter Orner's "Am I Alone Here?" for Electric Literature 12/5/2016.
'Spam Key' for McSweeny's Internet Tendency 11/28/2016.
Interview with Tobias Caroll for The Collapsar 10/17/2016.
A review of Louie Cronin's "Everyone Loves You Back" for Vol. 1 Brooklyn 10/5/2016.
A review of D. Foy's "Patricide" for the Chicago Review of Books 9/30/2016.
On the Warmers' self-titled LP for The Collapsar 9/27/2016.
Interview with Sam McPheeters for Noisey 9/23/2016.
A review of "Manor Threat" for Vol. 1 Brooklyn 9/7/16.
Flipping Roger Clemens the bird in Zisk 8/10/2016.
"Disintegration," a piece of the Cure album, for RS 500, 5/26/2016.
"Wild Gift," a piece on X's second album for RS 500, 5/2/2016.
"Verga Disaster," a novel excerpt at Vol. 1 Brooklyn 4/3/2016.
Tons of stuff on Cabildo Quarterly's tumblr.
Tons for reviews for Razorcake.
Protomartyr for Dusted.
Screaming Females for Dusted.
Pile for Dusted.
Torche for Dusted.
"Cheap Holidays in Other People's Misery" for The Din.
"Selling Records Like The Smiths" for Vice.
Hayden Thompson for Oxford American.
Black Flag for One Week, One Band.
Fugazi for Trouser Press.
So There's This Band for Barrelhouse.
Mike Watt interview 2006.
Garrison for Perfect Sound Forever.
Jandek for Perfect Sound Forever.
Other non/pre-internet credits include Boston Magazine, Pennsylvania English, Boston Globe, HeartattaCk, Jersey Beat, The Noise, Punk Planet, Stolen Island Review and Talking River.